Greetings all!<div><br></div><div>There is a rather long list of ideas to chew through in here and I don't wish to comment on them now (but they look great)</div><div><br></div><div>On the topic of insurgency and media this link is an interesting overview of how listening posts have migrating into digitally shared sociality <a href="http://animalnewyork.com/2012/02/the-department-of-homeland-security-is-searching-your-facebook-and-twitter-for-these-words/">http://animalnewyork.com/2012/02/the-department-of-homeland-security-is-searching-your-facebook-and-twitter-for-these-words/</a><br>
<br><div class="gmail_quote">On Sun, Feb 26, 2012 at 9:24 AM, shu lea cheang <span dir="ltr"><<a href="mailto:shulea@earthlink.net">shulea@earthlink.net</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
yeah<br>
<br>
i appreciate this going back in time....in quotes.<br>
<br>
Rachel<br>
<div class="im">Question: Can we move beyond mapped representations of the City as CPU and<br>
'take to the stage to wreck the fetishistic performance' in an<br>
'unauthorised, illegitimate production'?<br>
<br>
<br>
</div>>>> let's get back to the larger quotation, the context-<br>
<div class="im">"Those responsible for creating the imaginary world prohibit themselves from<br>
communicating real life, turning real life into madness; they fabricate<br>
angels of seduction and little monsters of fear in order to display them<br>
to the miserable rabble through the networks and circuits that transmit<br>
the sanctioned hallucination. [ . .] To rise up from the ' registered<br>
location,' to take to the stage to wreck the fetishistic performance:<br>
that is what the metropolitan guerrillas of new communication have set<br>
out to do from the start. "<br>
<br>
<br>
</div>Fundamentally, moving forest scenario sets up the fabricated tales, a king<br>
with non-tangible kingdom, an estblished structure within a<br>
unpreditable structure.<br>
There is no accidentally uprising in this case, (or in any case of<br>
the real life).<br>
it has to be thoughtful , schematic maneuver. The forces are<br>
registered, like an IP address,<br>
being pirate or not, you are identified within a larger network system.<br>
When you say "unauthorised, illegitimate production'", you already<br>
point a power<br>
division. Who is to authorise and legitimate moving forest performance?<br>
Or is this the complex underdog symdrome? actually a status hype?<br>
Who are we asking permission? or who are we held responsible?<br>
In this case, does Pardade Ground location legitimate us? or as james (stevens)<br>
questioned, do we go for "posh housing project with inlaid LED things"?<br>
There is nothing to move beyond, but to move within and out.<br>
<br>
<br>
Josie<br>
<div class="im"> >>>Do we want to create a guerilla counter-games, a<br>
transgressive communications triathlon, an energy expenditure spree of<br>
olympian pointlessness, a relay race of relentless transmissions of<br>
subversive messaging, maps of the olympic Lager? Anti-citizenship tests?<br>
<br>
</div>relay is a great notion.<br>
If moving forest is rendered as a game, preempting the august game,<br>
let the playground knows no dome, no city limit.<br>
<br>
last december, i visited Harwood at Southend in between workshops...<br>
the concept of network insurgency was brought up... I do not refer to<br>
Gordan's CPU mapping of Shenjen as the model mapping Moving Forest<br>
should be taking... it is the 'logical order' that we are breaking away from...<br>
<br>
hang a few more laundry, it makes the wind of revolt....<br>
<br>
love u both<br>
<span class="HOEnZb"><font color="#888888">sl<br>
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